
Technically it is exciting to see the difference between the initial undercoat of the drapery and the final product. I originally applied four colors of paint and then fan brushed them to get the blend. I used a #12 flat sable to bring the dark green down through the golds to introduce the folds of the fabric. I then had to wait for the paint to dry.
Later I added the fleur-de-lis motif. Fanning again softened the edges and another layer of dark green and some blending rounded out the folds in the drapery.
I really enjoyed watching it all play out. I felt as though I were leading an orchestra and all I had to do was wave my hands around and the players simply came together and performed for me. What a rush!

The fleur-de-lis is a symbol that has been found as far back as the Mesopotamia era. It is most widely associated, however, with European royalty.
I chose to use the fleur-de-lis drapery to reinforce the symbolismof the King. In addition to the king representing strength, wisdom and power, the fleur-de-lis introduces the possibility of deity as well. For some the petals on the fleur-de-lis represent the Holy Trinity.
Again the fabric is golden and connotates purity and pricelessness.
1 comment:
I am SO excited to see this complete...the pieces being what they are, the whole is bound to be Fantastic!
Post a Comment